Grammy award nominee Nate Dogg died this week from complications of a stroke. Nate Dogg (Nathaniel Hale) suffered two strokes in the last few years beginning in 2008, which left him partially paralyzed.
Suffering his first stroke in his late thirties, it was surprising to me that someone under 60 would be susceptible to having strokes at all.
After following my first instinct to Google everything, I stumbled upon this website on which the first of many statistics on strokes was "stroke is the third leading cause of death in the United States." This fact was a shock to me as I thought of strokes to be something that only the very old were afflicted with.
Words and Illustration by Ken Francis
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Friday, March 18, 2011
Tuesday, March 15, 2011
Does Lupe Fiasco's Lasers Misfire?
Fans have waited with bated breath for a little over three years for the release of new Lupe Fiasco album.
The Chicago native was ready to release his new project for a long time, but his album was repeatedly put on the shelf by his record label.
A number of album title changes and a and a public demonstration later Lupe emerges with Lasers, an album that is not as good a package as Lupe Fiasco's the Cool, but still has it's high points and winning moments.
Thankfully the bulk of the album still has compelling material that Lupe is known for. Stylistically, he has the ability to blend witty societal and political critical rhymes alongside catchy hooks and hypnotizing beats. In that regard Lupe hasn't missed a beat. Just look to the second single "Words I Never Said" in which Lupe starts off "I think your war on terror is a bunch of bullshit/just a poor excuse to use up all your bullets." In the same lane are the great "Beautiful Lasers" and "All Black Everything," the latter an imagining of a world where the African slave trade never existed.
A nice standout is the whimsical "When I Get There" that is rife with sound effects, imagery and is reminiscent of "Superstar," the first single from The Cool.
A couple forgettable tracks on are on here which is why the album feels a bit flat in comparison to Lupe's last effort. There wasn't a dull moment on The Cool, even if High Definition feat. Snoop Dogg seemed out of place on that album. The Cool was rolled up into a package and its tracks delivered in a way that was unforgettable. After the last song faded, it left you with a clear message about the fallacy of a life built on flash, ignorance, pomp and a lack of tangible values and substance.
Lasers, while holding on to some of the message from The Cool album seems to be lacking a clear target.
If fans were expecting another solid concept album, this isn't it. Lasers instead feels mostly like a cry of frustration from an artist locked in mortal combat with the world, and his record label.
Words and Illustration by Ken Francis
The Chicago native was ready to release his new project for a long time, but his album was repeatedly put on the shelf by his record label.
A number of album title changes and a and a public demonstration later Lupe emerges with Lasers, an album that is not as good a package as Lupe Fiasco's the Cool, but still has it's high points and winning moments.
Thankfully the bulk of the album still has compelling material that Lupe is known for. Stylistically, he has the ability to blend witty societal and political critical rhymes alongside catchy hooks and hypnotizing beats. In that regard Lupe hasn't missed a beat. Just look to the second single "Words I Never Said" in which Lupe starts off "I think your war on terror is a bunch of bullshit/just a poor excuse to use up all your bullets." In the same lane are the great "Beautiful Lasers" and "All Black Everything," the latter an imagining of a world where the African slave trade never existed.
A nice standout is the whimsical "When I Get There" that is rife with sound effects, imagery and is reminiscent of "Superstar," the first single from The Cool.
A couple forgettable tracks on are on here which is why the album feels a bit flat in comparison to Lupe's last effort. There wasn't a dull moment on The Cool, even if High Definition feat. Snoop Dogg seemed out of place on that album. The Cool was rolled up into a package and its tracks delivered in a way that was unforgettable. After the last song faded, it left you with a clear message about the fallacy of a life built on flash, ignorance, pomp and a lack of tangible values and substance.
Lasers, while holding on to some of the message from The Cool album seems to be lacking a clear target.
If fans were expecting another solid concept album, this isn't it. Lasers instead feels mostly like a cry of frustration from an artist locked in mortal combat with the world, and his record label.
Words and Illustration by Ken Francis
Friday, February 25, 2011
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Sunday, September 26, 2010
Tuesday, September 21, 2010
Thursday, September 9, 2010
Tuesday, September 7, 2010
Thursday, November 26, 2009
Rated R Worth the Price of Admission
Words by Ken Francis
Pic via http://www.rihannanow.com/index.htm
The album begins aptly with an intro track called 'Mad House,' meant to introduce the listener into a world of the tough-skinned, edgy and risque Rihanna that performs the 13 track set.
'Wait Your Turn' is a nice start to the full length songs, it is full of boastful and catchy lyrics that has Rihanna stating her place in the game i.e. her consistent position on top of the charts. A claim that she can rightly make, being the only artist in this decade with the most number one hits.
This track is followed directly by 'Hard' featuring the always gritty but funny and entertaining Young Jeezy. This track is a winner because it has hints of old school reggae in the way Rihanna chants the "yea, yea, yea," at it's very beginning and Rihanna asserts her confidence throughout and ability to consistently outshine her peers with her lyrics. Also, it's fun to hear Jeezy say, "I'm in the all white party wearing all black, with my new black watch, called the heart attack."
The track list continues in a similar fashion and the lyrical content holds a similar bravado to a rap album. Rihanna makes it work for her however, she has the ability to carry tracks across several styles of pop, pop/reggae and even can even sing a ballad if she so chooses.
The more vulnerable side of Rated R, are the slower songs that focus (of course) on love and heartbreak. However, because the album teeters around a dark and dangerous theme, the content is sometimes more heavy than your average pop song.
The haunting 'Russian Roulette' penned by the illustrious NeYo is as beautiful as it is mysterious and a bit goose-bump inducing. Rihanna performs the hell out of the song, and though this is an album review, the video is a great accompaniment to it, Alias esque theme and all.
Another NeYo penned track 'Cold Case Love' was actually written a couple days prior to the day of the incident between her and Chris Brown, and as she said in her itunes pre-album release clip, it was almost like a premonition of the events of the night after the Grammy party. In addition to being all that, it is also a great song, with a lot of vivid imagery.
Moreover, Rated R is a great album that deserves multiple listens. It is interesting that in these songs Rihanna exudes both an acceptance of appearing weak in the past but screams proclamations of always being a strong individual inside. Whether or not strength is synonymous with being a little crazy is another question.
Don't forget these other great tracks: 'Stupid in Love,' 'Rockstar 101,' 'Fire Bomb," and 'The Last Song'
Tuesday, June 30, 2009
'Sunny Side Up' A New Album From Paolo Nutini
Words by Ken Francis
Pic via electronic booklet

Released on June 2nd, Paolo Nutini's Sunny Side Up lives up to its name by delivering lighthearted songs just in time for the summer.
The thing that stands out the most about this record is the theme that follows through throughout its tracks. Nutini's previous LP These Streets was released in the US in 2006. With the exception of a few tracks, that record had a much more somber tone to it. It seemed as though Nutini was going through a lot of changes in his young life and the uncertainty in change was the inspiration for that LP.
Sunny Side Up attempts to be the ying for the yang that was These Streets. The track list touches on all the common themes such as sex with "10/10" and "Candy" and relationship hardships with "Coming Up Easy" and "No Other Way" But Nutini's delivery is the thing that makes his albums worth listening to. His range is varied and strong, but the thing that gives it the extra push is his Scottish accent. The best way to experience his vocal prowess is when his accent is prominent and he sounds like an old man with a lisp, without his teeth in. It may sound crude, but it is true, but it gives his songs a lot of flavor.
This factor may be the thing that makes this album worth more listens than These Streets. While that album showed Nutini to be thoughtful and talented beyond his then 18 years of age. The version released in the US curtailed his accent and he sounded maybe a bit too pop. Not to say that is bad marketing, but among the plethora of pop singers that beseech the hearts of tweens, you really need to stand out to be viable in 10 years. Paolo looks more at home as he appears in the video for the first single off Sunny, in a fedora and a shirt and loafers.
Definitely download 10/10, Coming Up Easy, High Hopes and Candy.
Pic via electronic booklet
Released on June 2nd, Paolo Nutini's Sunny Side Up lives up to its name by delivering lighthearted songs just in time for the summer.
The thing that stands out the most about this record is the theme that follows through throughout its tracks. Nutini's previous LP These Streets was released in the US in 2006. With the exception of a few tracks, that record had a much more somber tone to it. It seemed as though Nutini was going through a lot of changes in his young life and the uncertainty in change was the inspiration for that LP.
Sunny Side Up attempts to be the ying for the yang that was These Streets. The track list touches on all the common themes such as sex with "10/10" and "Candy" and relationship hardships with "Coming Up Easy" and "No Other Way" But Nutini's delivery is the thing that makes his albums worth listening to. His range is varied and strong, but the thing that gives it the extra push is his Scottish accent. The best way to experience his vocal prowess is when his accent is prominent and he sounds like an old man with a lisp, without his teeth in. It may sound crude, but it is true, but it gives his songs a lot of flavor.
This factor may be the thing that makes this album worth more listens than These Streets. While that album showed Nutini to be thoughtful and talented beyond his then 18 years of age. The version released in the US curtailed his accent and he sounded maybe a bit too pop. Not to say that is bad marketing, but among the plethora of pop singers that beseech the hearts of tweens, you really need to stand out to be viable in 10 years. Paolo looks more at home as he appears in the video for the first single off Sunny, in a fedora and a shirt and loafers.
Definitely download 10/10, Coming Up Easy, High Hopes and Candy.
Saturday, March 28, 2009
Saturday, March 21, 2009
Wednesday, March 4, 2009
Sunday, March 1, 2009
Saturday, February 28, 2009
Joe Budden celebrates the release of "Padded Room" at the New Era Store in Soho
Words and Pics by Ken Francis
It is February 24th 2009 and Joe Budden is celebrating the release of his new album entitled “Padded Room” at the New Era store in Soho.
Adorned in a hooded, rhinestone encrusted sweatshirt with an Ed Hardy-esque logo, True Religion jeans, and a big-dialed blinged-out watch; Budden holds product after product (logos facing front) as marketing interns placed them in his hands to endorse for waiting videographers.
Budden appears used to the routine and is cordial to everyone around him, he goes along with the demands of cameramen who incessantly ask him to repeat catch phrases and slogans for their various websites and stations.
Budden with a bottle of Seraphin
It's been a long time since Joe Budden has released an official LP; six years actually, so all the publicity (whether or not he appears on camera holding some obscure bottle of liquor or not) is definitely a good thing. His self titled debut album “Joe Budden” hit the top five of the billboard hip-hop and R&B charts back in summer of 2003 and spawned the ubiquitous “Pump it Up,” an infectious summertime hit that subsequently had everybody saying the phrase “jump off” for a while. He also found moderate success with another single called “Focus.”
All that shine was a long time ago and also when Budden was on one of the most popular labels in music, Def Jam (remember he appeared in the first two Def Jam Videogames).
For a while now, Budden has been with indie record label Amalgam Digital. Fans of the rapper were provided with more of his music via mix tapes produced and distributed by Amalgam such as “Mood Muzik 1: The Worst Of” and “Mood Muzik 2: Can It Get Any Worse?” These two gave birth to 2008s “Mood Muzik 3: The Album” which was a “mixtape style” album minus the DJ talking all over the tracks.
Budden doing yet another interview
Back in the New Era store a young reporter asked Budden about the choice of the venue for the party, to which Budden replied, “I didn’t want to make it a ridiculous function with rapper friends, it is real hip hop so this way it is real intimate.” Intimate indeed, literally any one who was allowed in the store could walk right in and interview Budden, congratulate him on the new release or just simply give him a pound.
A reporter holding a portable camera question said to Budden, “What do you want people to know about this album?” He replied, “I could care less what they know, a reviewer couldn’t really sit down with this album once and give a thorough review.”
Since the floor was just that open to talk to him, in between camera people waiting to sling another batch of questions at Budden, I approached him about answering some questions of my own, he agreed; I asked, he answered. It went like this (I’m Ken he is JB):
Ken: “Tell me about the concept for the album, what is the idea behind the title “Padded Room?”
JB: “Well a padded room, you know the booth in the studio is padded and also a padded room is a place where they send the insane, or people thought to be insane. The thing is, people called insane are sometimes misunderstood so that’s how it relates to the music. This padded room is a place where I can think whatever I want to think, say whatever I want to say and not be judged.”
Ken: “Is it safe to say you are cynical about the mechanics of the music industry and is that reflected in your music?”
JB: “No, because there isn’t anything worth doing without a struggle, if I could do it all over again, I wouldn’t change a thing.”
Budden and his girlfriend Tahiri
Wednesday, February 18, 2009
Cowboy in the City: Venny Etienne Tells the Tale of his Spring Collection’s Unique Look
Words and Pics by Ken Francis
Designer Venny Etienne
“I found my inspiration in the Midwest, I pictured a man from there moving to New York. But he did not want to lose his Mid-western roots, so he mixed his style from home with a New York flavor.”
The result of his idea is the very intriguing outfits for men put forth for his Le’ Venity line. Made up of outfits of leather and suede patches on shirts and suspenders with fitted jeans, complete with cowboy boots and rancher hats, his spring collection brought country mixed with “New York cool” to the House of D' Marsh Rhythms of Fashion show.
How did he do research for his line? Etienne chuckled and replied "I watched a lot of old cowboy movies."
Check out more of Le’ Venity below. Then visit his website www.levenity.com
Tuesday, February 17, 2009
New Things to Check out this Week from the creator of Ken Scribe
Imperialhype.com has the review of Ryan Leslie's New Album! Check it Out Below!
http://imperialhype.com/index.php?Script=featuredetail&ItemID=125&ItemUUID=B7696C45-1FB2-7213-32EA-E65091D0D6A4
Eventlinks.com has the photos from House of D'Marsh's Rythms of Fashion event! Check it Out here!(Click on the first three sets!)
http://eventlinks.com/gallery/index.php
http://imperialhype.com/index.php?Script=featuredetail&ItemID=125&ItemUUID=B7696C45-1FB2-7213-32EA-E65091D0D6A4
Eventlinks.com has the photos from House of D'Marsh's Rythms of Fashion event! Check it Out here!(Click on the first three sets!)
http://eventlinks.com/gallery/index.php
Saturday, February 14, 2009
Keisha Brown Brings Cheay Rochelle to Rhythms of Fashion
Words and Pictures by Ken Francis

Twenty-year-old Keisha Brown displayed her Cheay Rochelle line for the spring as part of the House of D’Marsh’s Rhythms of Fashion fashion show on Friday.
The Fashion Industries High School graduate who loves the designer Alexander Mc Queen said she also finds her inspiration for designing, “from many things, like just looking around.”
Seemingly shy as she is being pulled in different directions for interviews after the show, Brown made all her big statements on the runway with her spring line.
The models wearing Cheay Rochelle came out strutting to songs from Corrine Bailey Rae, a fitting soundtrack; the line exhibits the same air of soft, elegant beauty as that singer’s voice.


Such a young designer as Brown creating outfits that are both visually appealing and tasteful is something to behold. Check out more of her collection below.


Twenty-year-old Keisha Brown displayed her Cheay Rochelle line for the spring as part of the House of D’Marsh’s Rhythms of Fashion fashion show on Friday.
The Fashion Industries High School graduate who loves the designer Alexander Mc Queen said she also finds her inspiration for designing, “from many things, like just looking around.”
Seemingly shy as she is being pulled in different directions for interviews after the show, Brown made all her big statements on the runway with her spring line.
The models wearing Cheay Rochelle came out strutting to songs from Corrine Bailey Rae, a fitting soundtrack; the line exhibits the same air of soft, elegant beauty as that singer’s voice.
Such a young designer as Brown creating outfits that are both visually appealing and tasteful is something to behold. Check out more of her collection below.
Thursday, February 12, 2009
Sean Paul Rocks Element NYC...Briefly
Words by Ken Francis
Pic by Elvira Francis
Sean Paul performed a few songs at club Element in NYC, on Sunday, January the 18th.
Though most partygoers were probably very intoxicated by the time SP hit the small stage, that didn’t stop the crowd from trying to get as close as possible to the dancehall star.
Adorned in a few diamond chains including a skull pendant that dazzled in the spotlight, SP performed some of his well know hits including “Punkie,” and “Get Busy.”
The crowd especially got pumped when Estelle appeared from behind one of his burly bodyguards and performed her new single “Come Over” from her album Shine (a track on which Sean Paul is now featured, and is to appear on his next album).
Sean Paul also performed “Watch Them Roll” one of his newer tracks, the video to which has already garnered over 6 million hits on YouTube.
Sadly, Sean Paul left the stage only after about 20 minutes. Leaving patrons who paid the $25 admission fee scratching their heads and milling to the door. After all it was 2 o’ clock in the morning.
According to tropicalfete.com Paul’s next album titled “The Next Thing” is scheduled for release in the second quarter of 2009.
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